RabiaFaheem

Slow paintings about
atmosphere,
memory, and gesture.

I work from a Brooklyn studio, building paintings slowly. Each piece begins with a quality of light or a memory of color, then settles into structure through layered passes of acrylic and oil.

Now
A new series of large-format oil studies.
Studio
Private viewings by appointment through 2026.
Ethereal Dreams (Abstract, Acrylic on Canvas, 2023). A layered composition exploring movement, contrast, and the quiet tension between fluid marks and geometric restraint.

A current canvas

Ethereal Dreams

Acrylic on canvas, 2023

Rabia Faheem, photographed in Brooklyn

The artist

Rabia Faheem

Brooklyn, 2024

I don't begin a painting with a plan. I begin with a feeling. A quality of light, a memory of color, a texture I want to live inside for a while.

Rabia Faheem

That feeling is the throughline. The work that follows is the documentation.

How the work is made.

Emotion through structure.

Every composition balances expressive gesture with underlying form, so the work feels both instinctive and intentional. The structure is what lets the gesture mean something.

Texture as memory.

Layering preserves process history. Each pass keeps a trace of what came before, allowing the final surface to hold time, revision, and atmosphere in a way a single decisive mark cannot.

Collector-centered craft.

Materials, framing guidance, and archival handling are designed for long-term stewardship in real living spaces. The work is made to be lived with, not just looked at.

From the studio.

Close passes from recent canvases. The surface is built slowly so the layering reads as memory rather than finish.

Texture detail from a recent canvas
Surface detail showing layered acrylic passes
Brushwork close-up on mixed-media panel

A focused progression.

Twelve years of sustained studio practice, from foundational drawing to international collector work.

Exhibitions35
Original paintings150
Collections in20
Coastal Whispers, an oil-on-canvas landscape study from the foundational period

2012 to 2015

Foundational practice

Early studio years focused on drawing, mark-making, and color discipline. This stage established the visual language that still guides the work.

Autumn Essence, an oil on panel from the series and exhibition period

2016 to 2020

Series and exhibitions

Shifted into cohesive series work and public exhibitions, refining narrative composition and scale while building collector relationships.

Vibrant Harmony, a recent acrylic on canvas from the current period

2021 to present

International collector focus

Current practice centers on museum-grade output, private commissions, and globally shipped originals and editions.

Begin a conversation
about the work.

For acquisitions, commissions, or studio visits, write directly. Replies arrive within two business days.